OIL ON A VELATURE TABLE

uit 1978 tot 2019 (klik op de afbeelding om het werk groter te bekijken)
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THRONE; SYMBOL OF POWER

2019

Dominate (dominate) a vital structure:
THE THRONE symbol of power.
There sits who dominates, who commands.
It is a tribute to the symbolism of the power that surrounds itself in a free, airy, transparent dream and fantastic images that are composed and decomposed in space-time.

BIRTH OF THE DREAM

1991

Da una struttura rigida nasce "La vita" il sogno ...

DIAVOLE: PURE a vital presence...

1989

Vita e sogno...

FROM THE PAST COMES THE PRESENT

1989

From the past comes the present: oneiric-fantastic vision of the birth of the dream that originates from life through the passing of time and the deterioration of the architectural remains of the past. Homage to Calderon de la Barca.

REBELLION, COLLAPSE...

1989

It is the representation of the birth of the dream, which rebels against the rigidity of life and breaks it, while the church ... observes ... 
Almost an omen ..... 
Dedicated to the fall of the Berlin Wall (the painting was made a few months before the collapse of the wall).

TRIAD - Vital triangle

1989

Mysterious vision of dream and life, with the invasion of the dream that imposes itself on life and vibrates in the air aimlessly ...

IN THE DREAM VENICE ...

1987

Giovanni Gambasin's world stretches out in an immensely light-filled landscape.
The liquid horizon stretches to infinity and unravels in the light. A light that erases the obvious, the everyday, the banal, to reveal the dream. It calls for the right to silence.
And it is the same light that opens up the scenario where the Forme appear: it reveals a mental space where fantastic wrecks, anatomical forms, fragments of architecture, geometric games, liquid breaths that recall Tanguy, Mirò, Dalì, Moore, Lanfranco and others, all surrealists who in their mental scenarios practised solitude as a necessity, float.
Forms that are almost unbelievable in that they are symbols of the unconscious that elude any arbitrariness. At times only hinted at, or pulled like elastic bands, at times propped up by wires or nails or other forms. Shattered, soft, interrupted, musical, anatomical, sensual, erotic, interior, floating forms.
And in the liquidity of all this immense scenery, Venice appears elevated, or rather raised and in flight, like a detached piece, enclosed in a sort of casket where its knowledge can be read, well protected. A drawer suggests memories to be preserved indefinitely and some fretwork hints at a labyrinth as human thought. The geometries of the Venetian landscape stretch out open in the liquid light, like an embrace, like an invitation to reflection, never rigid and never declared, but always and only suggested by Gambasin's precise hand. The colours are also always liquid, the brush melts between one element and another, to immediately dart vividly into the perfect little signs. A harmonious and light language to describe the silence and solitude of Venice. Livia Alessandrini - Villeneuve (CH) 11 January 2006

ABOVE AND BELOW THE TABLE

1978

ABOVE AND BELOW THE TABLE, wants to describe my feeling that happened when as a child I went to play with a friend of wealthy family, entering the kitchen I looked at the table after lunch to clean and in the dishes were deposited many fruit peels, bones and food scraps, I noticed the big difference between the dishes of my family after eating were just empty, without any waste ...

START: 1, 2, 3, 4, 5 ...

1978

Dedicated to the beginning of life or day, or a thought... or... 
Even numbering has a beginning, with the presence of the five ...